There’s not all that much to actually do, and doing it quickly becomes rote. The main problem with it is that once you’ve done this a couple of times, the lack of depth becomes very apparent.
Success depends on how well the crew integrates and does their individual jobs. The captain order the phasers fired, but it’s the weapons officer who actually pulls the trigger. The captain is in charge, but will only know the engines are about to explode if told. Largely inspired by Artemis Spaceship Bridge Simulator, it works by giving each of you a console and thus controls/information that the other players don’t have, which forces everyone to work together. It uses VR headsets to put you and your friends on the bridge of a Star Trek vessel. More than any other game, Bridge Crew attempted to create The Dream. That’s far too clever for an interactive movie, even if the rest of it-the pace, the acting, the depth-is what you’d expect. How do you do that? Let yourself be caught, read them while you’re a Borg, and make use of them when Q rewinds time. Screw up and Q resets time for you to try again, and quite often that’s required for a puzzle-one in particular involves getting some codes from the Borg Collective. The true cleverness though is how it handles its time-travel premise. Star Trek games don’t get much more satisfying than that! It’s so good, the Wiki even lists ‘it is possible to punch Q in the face’ as a gameplay feature. You even get to kick him in the balls at one point.
Unlike the other big Star Trek interactive movie, Klingon, this one benefits from Q capering around and not taking anything even slightly seriously. As you flee from another attack from the cyborg singularity, the all-powerful force of smugness Q appears and offers you a deal: go back in time with him, and see if you can save your father from his fate. You play a cadet whose father was killed by the Borg.
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It’s an interactive movie with style though, and some genuinely smart design.
It’s an interactive movie, and that’s definitely a knock against it. Star Trek: Starfleet Commandīorg is one of the most unusual Star Trek games. Best of all, as well as fitting the show surprisingly well, it was a very solid shooter and by far the best action game spin-off. It wasn’t, though something similar would show up in Enterprise in the form of the MACO assault unit. For a while, it was even suggested that the concept might be added to the show. The whole crew (including, retroactively, Jeri Ryan) voice their characters, and a real effort made to make the Hazard Team feel like a unit. The first level, set aboard a simulated Borg ship, set a great tone, right down to the Borg not reacting to your presence until triggered.
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Cue the creation of the Hazard Team, just in time for Voyager to get trapped in a spaceship graveyard full of particularly troublesome trapped alien types. Voyager is lost in the depths of space, surrounded by enemies, and while risking the senior staff for every casual mission works for television, in reality it’s a pretty dreadful idea. Elite Force is an rare case where it makes sense to turn Star Trek into a shooter.
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